Matthew T Grant

A while back, I made a rap video called, “It’s All About Fit” (see below).

My point there was that, when hiring someone, organizational fit was the key ingredient to that person’s success in the role as well as the organization’s “success” in nurturing and retaining a valuable employee over the long haul.

“Fit schmit,” I hear you say. “All I care about is whether or not they can do the job. Corporate culture schmorporate culture – at the end of the day, performance and results are what matter.”

Obviously, the person needs the skills and experience required by the job – you don’t hire a Java programmer who can’t really program in Java just because they get along with everybody –  but that’s really just another way of saying that the person’s capabilities need to fit the requirements of the position.

The problem is that for many jobs finding someone whose skills fit is easier than finding someone whose skills fit AND whose work ethic, personal demeanor, and values fit in with those of the immediate team and the culture as a whole. Because the former case is easier, people usually hire based on skills and hope for the best.

It’s also why HR professionals often say, “Hire for skills; fire for fit.”

I’m bringing this up because I spent a couple days on a client site interviewing and leading discussions with folks at many levels of the organization. The more time I spent with them, the more I liked them as people and the more I appreciated the organization itself. I found myself thinking, “I really want to work with these folks and, to the extent I can, be a part of what their trying to do.”

All of which made me think that, for a business to succeed, you not only need to hire people who support the mission, share the vision, and fit into the culture, but you also need to find clients that do the same.

It’s always hard to say “no” to business, but isn’t it harder to have to work on projects you don’t really care about or with people that you don’t trust, admire, or respect?

Isn’t it easier to do inspired work when you are actually inspired by the people you’re working with?

That being said, here is the “Fit” video for your viewing and reviewing pleasure:

Image Courtesy of LShave.

I’ve been a “thought ronin” for going on a year now.

In the same way that the lone gunslinger is a staple of the Western, ronin (“masterless samurai”) have been staple figures, and frequently protagonists, in samurai films from the very outset of the genre – an early epic of which was in fact entitled 47 Ronin.

My favorite anime film, Ninja Scroll, is the tale of a ronin, as is the more recent and rather austere The Sword of a Stranger, not to mention Kurosawa classics like Yojimbo and The Seven Samurai, to name but a few examples.

In other words, my sense of what a ronin is comes mainly from the movies (and Hagakure).

[As a total aside, it’s interesting to note that many of the most celebrated samurai films of recent years – such as the work of director Yoji Yamada, maker of the masterful Twilight Samurai – are not about ronin at all but instead about the plight of the low-ranking samurai who often had to ply a trade (e.g., building and selling umbrellas, for instance) to supplement their meager stipend. I read this as an allegory for the plight of the “salaryman” in contemporary Japan – but what do I know about it?]

Anyway, I called myself a “thought ronin” because everybody wants to be a thought leader and I guess I wanted to subtly mock that aspiration (having always been partial to the guru or “cult leader” angle).

On a more serious note, I was stating allegorically that, having served as the retainer of a thought leader and possessing many skills necessary to effective and ongoing thought leadership, I was for “out there.”

Finally, I thought the mass unemployment of “white collar workers,” including members of the intelligentsia such as myself, following on the Global Financial Crisis (is that still happening, btw?) analogous, mutatis mutandis, to the mass unemployment of samurai after the Battle of Sekigahara.

I mean, what did you think a thought ronin was?

Reading two NYT articles today reminded me of how much fun with similes writers over there can have.

First, in “The Great Unalignment,” writer Matt Bai says that, in the aftermath of Scott Brown’s Senate victory here in Masschusetts, Democratic talk of “a great liberal realignment seems as retro as Friendster.”

While I don’t exactly consider Friendster retro – it’s hardly Pong – I’ve always said, “Retro is the new cutting edge.”

Second, in a review of Charles Pellegrino’s The Last Train from Hiroshima, Dwight Garner writes, “Mr. Pellegrino follows his survivors as they trudge through wastelands that make ‘The Road’ by Cormac McCarthy read like ‘Goodnight, Moon.'”

Of course, that just got me thinking about how well “The Road” would go over as a bedtime story: “Goodnight corpse. Goodnight air. Goodnight cannibals everywhere.”

In Ithaca, my friend Art once told me that he hated it when people spoke of “levels” as in, “We’re seeing a whole other level of play on the court today.” (I had just told him that, having finished my dissertation, I felt that I had “moved to another level.”)

Years later, I’m in New Zealand hanging with this other friend, Russel, and I say, “I’ve always got to remind myself that there are other levels. Like, I imagine I’m at the highest level, but then I realize there’s another level.”

“There’s always another level,” Russel said.

I believe that there is always another level if for no other reason than that such a belief can spur us on and inspire us to be better, do more – grow, change, thrive.

Nevertheless, I also hold fast to the faith that there is a level where there are no levels at all.

Incredible Image Courtesy of kern.justin.

Conservative critic Ross Douthat recently took James Cameron and Hollywood to task for rampant pantheist sympathies writing that pantheism “represents a form of religion that even atheists can support.”

While I believe he is mistaken to equate, as he does, pantheism with “nature worship” – the latter being more akin to polytheism or animism and the former meaning literally that God is too be found in the totality of the All, not “just” nature – I do agree that those who seek solace in natural wonders tend to be fairly selective about those parts of the natural world that they find wonderful, failing, for example, to hear the voice of God in cancer’s fatal malignancy or see the face of God in the blue sky’s indifference to atrocities unfolding ‘neath its broad, azure beams.

Though I sense Douthat’s tacit support of the Christian side of the equation, I appreciate that, in his argument against pantheism, he actually grants atheism a kind of tragic nobility:

Religion exists, in part, precisely because humans aren’t at home amid these cruel rhythms. We stand half inside the natural world and half outside it. We’re beasts with self-consciousness, predators with ethics, mortal creatures who yearn for immortality.

This is an agonized position, and if there’s no escape upward — or no God to take on flesh and come among us, as the Christmas story has it — a deeply tragic one.

Personally, what fills me with awe is the age-old human struggle to wrest sense from the senseless and to fashion purpose in the raging forge of entropic impermanence. That these efforts have about them the air of inescapable doom does indeed make them tragic.

That they can also result in moments, even epochs, of beauty, wisdom, freedom, and love, is truly divine.

Image Courtesy of Mark Cummins.

Last spring, while attending a lovely brunch, I got into an unexpectedly heated dispute with the host and one of the guests, professors at a local business college, about the Nazi philosopher, Martin Heidegger.

Having told me that they sometimes taught Heidegger’s essay, “The Question Concerning Technology,” to their students, I told them that Heidegger’s unrepentant allegiance to the Nazi cause, coupled with his very conscious desire to provide the philosophical groundwork for an as yet unrealized hyper-elitist society in which the Many served the Few, made such a pedagogical choice highly problematic.

To my way of thinking, I explained to them, introducing impressionable minds, or any minds for that matter, to the diabolical musings of the old, forest-dwelling, Swabian sorcerer was to fulfill his clearly articulated plans and, therefore, to be avoided at all costs.

Naturally, they thought me mad.

Flash forward to a recent dinner party featuring many of the same characters. Recalling our bygone dispute, one of my erstwhile protagonists found it ironic that I considered teaching marketing the better alternative to teaching Heidegger. Ascertaining that he equated marketing with manipulation I asked if he didn’t in fact try to manipulate his students, an imputation he vociferously rejected before absenting himself.

There ensued an illuminating discussion with his colleague concerning the way “marketing” had supplanted “sales” in the college’s curriculum. Whereas the institution had once upon a time striven to steep students in the subtle and not-so-subtle arts of persuasion proper to business, this was now deemed “kind of sleazy” and had been replaced with the more oblique, and ostensibly scientific, rigors of marketing.

On hearing this, I remarked that, funnily enough, with the ascendancy of “content marketing,” it was now education that provided sales and marketing with its dominant paradigm. And so we sat down to eat.

Customers don’t want to be marketed to anymore than they want to be sold to. They are, however, hungry for information, if not knowledge (or, perish the thought, wisdom). For this reason the contemporary marketer begins to increasingly resemble a research assistant or a reference librarian and, in some cases, a teacher.

Which is why I would like to suggest that, while education may, in its way, be manipulative, we must also allow that manipulation, in its turn, may also be, at times, educational.

Don’t you think?

Image Courtesy of coyote2012.

At times, the philosophical artist will produce a work which primarily expresses the thought that somewhere in the world, right now, there is an open wound.

This tendency reaches the stage of decadence, however, when said artist produces, either actually or metaphorically, said wounds himself.

A local, recently gender-reassigned nanny drove a car which featured the following bumper sticker:

While sympathetic to the sentiment expressed, believing, as I do, that reality, taken in the totality of its sordid, mundane, and astonishing details, is nothing if not outrageous, I felt nevertheless rankled.

Said rankling arose from my even stronger belief that the unstated logic of the proffered statement – “If you are not responding in a specific way, then you are not perceiving reality as it truly is” – serves as the logical underpinning of political, ideological, or religious fundamentalism in every form.

My work on Germany’s Red Army Faction (aka, The Baader-Meinhof Gang, a much cooler name, IMHO) led me to rebel against and reject “the unassailable logic of the next step,” as Norman Mailer called it in The Armies of the Night, insisting instead that there is no ethical norm inherent in the physical world, including, and this is the real scandal, the human world in all its perplexing complexity.

It is one of the benefits of being human that we can simply observe. While sense stimuli – a flashing light, a gunshot, an electrical shock – do indeed provoke hard-wired responses, and the body may involuntarily behave in a specific way based on the type of stimulus, this becomes less and less the case as we consider more involved levels of cognition.

Sunlight reflecting off a passing car may make us squint; recognizing the driver as our mortal enemy could make us cry out in fury or turn away or remain impassive. Conscious, attentive perception, thankfully and sadly, does not produce an automatic, programmed, and necessary response.

Still, to a certain way of thinking, the true outrage is human freedom.

Obama is upping the troop levels, as everyone has heard. He’s also added a timeline: draw down to start in July 2011.

Conservatives applaud the increase but deride the deadline. Their argument that it will give “our enemies” a chance to lay low and wait us out rings hollow to me for no other reason than that, if we and our allies are able to improve security and support much needed development work over the next couple years, this will actually be worse for said enemies than a prolonged, virtually endless armed struggle.

At the same time, I can’t help but think of the words of Rory Stewart who says that, development-wise, Afghanistan is “20 years behind Pakistan and India is a distant dream.” He advocates a decades-long commitment with a relatively small military footprint (around 20,000 troops) and an intense focus on humanitarian projects to build local infrastructure.

Given that, I’m less concerned about how long we’re going to have boots on the ground and more concerned about how much time we’re willing to invest in modernizing one of the poorest nations on Earth (and not just because we want to control the global heroin trade).

When I was in college, I played music with a fellow named Tony Benoit. (If you’d like to read the text of an insightful and thought-provoking/action-recommending speech he gave on why we have environmental problems, you may do so now.)

We had a lot of far-ranging conversations about truth, life, art, girls, etc., but of the many things he said to me over the years, the one that stuck in my mind’s craw was the following rebuff, apropos of what I can not now recall, “That’s because you’re a hero-worshiping guitar player.” My friend had therewith hit a certain nail on it’s undeniable head and to this day I dwell on the implications of that sobriquet.

At the time, he was probably talking about my tendency to obsess about Jerry Garcia who was, in his way, my hero. Of course, I also idolized other guitar players, Jimi Hendrix, for example, or Jimmy Page, but Garcia meant something in particular to me at the time.

I had seen the Dead a bunch of times, and I had seen Jerry’s solo band here and there, so he was actually a living person to me (though, when he was playing at Frost in 1982, his ashen pallor had a from-the-grave-ness about it). But beyond that, I, like many of my Deadhead brethren and sisthren, saw in the band, and the figure of Garcia in particular, the living embodiment of a kind of ideal. While the precise contours of this ideal are lost in a vivid purple haze, broadly speaking I would define it as an ideal, not just of freedom, but of a willingness to use that freedom to explore the outer reaches of conscious human experience.

I think, however, Tony wasn’t just talking about my ongoing idolatry of rock stars like Garcia or Dylan or Neil Young. Instead, he was highlighting a more deeply ingrained part of my developing personality. If I admired someone for being extraordinary, and, frankly, I admired Tony in this way, I would see that individual as somehow essentially different from me and consider the qualities that made them uniquely special effectively unattainable.

Tony was trying to wake me up from this delusion. He was trying to remind me that people like Jerry, or, frankly, himself, were ultimately people just like me (or if they were different from me, they were no more different than everyone is from everyone else). As he told me once, “You know, if you could get into someone’s head and live there for awhile, I think you’d find that it’s pretty much like being in your own head.” (Of course, he also said, “When I die, I’ll finally get over this hang-up that I’m different from everything else.”)

Nowadays, while I still admire folks famous, not-so-famous, and downright unknown, I no longer place them in an aspirational realm forever beyond my grasp. No, I appreciate them in their “thusness” and don’t turn this thusness into a self-esteem-withering condemnation of my own thusness.

So, thanks, To(ny).

Image Courtesy of Αλεξάνδρα.